Tuesday, September 29, 2015

The Archaeology of Disappearance

This morning he walked up to the old homestead of Mama and Daddy C, pictures of which you have seen before it was demolished leaving nothing but a bald spot then. There is no longer a bald spot even, rather, there are rectangular plots of unevenly moved grasses, of differing shades of green and brown almost like a schematic of the house. Like a version of my son's computer game Minecraft a house rises up in the head. ghosts arise in mid day, folks coming and going. The following was written for something, a FORT!/da? welcome party for Allen Shelton's book I think. I think he hated the event. Had problems with his rental car. too much other stuff happening took away from the charm of his work. Well, everyone is hungry,

The following is a mashup --yet again-- of stuff, some posted already, some not. Stuff pastered on top of stuff, decayed moments peering through. No amount of digging exhausts the past. even though it's always the same. We will get to the future but we will never travel to the past, only to its scrim, its apparent horizon. Blake's infinity in the palm of the hand, even as it is constantly disappearing.

O. not so silently gloats from the couch: "O Brother, you panic in the face of a gone face. Don't be like a beaver in a foxhole"

Why don't you just fade away O....

"Brother I would if I could; my fate is to become ever more visible. like the Law. Remember your Kafka: ' During these many years the man fixes his attention almost continuously on the doorkeeper. He forgets the other doorkeepers, and this first one seems to him the sole obstacle preventing access to the Law. He curses his bad luck, in his early years boldly and loudly; later, as he grows old, he only grumbles to himself. He becomes childish….'"


... 



neither give heed to fables and endless genealogies, which promote questions rather than godly edifying in the faith, so do!
St. Paul, King James Bible,
1 Timothy 1:4
He or she is a mystic who cannot stop walking and, with the certainty of what is lacking, knows of every place and object that it is not that; one cannot stay there nor be content with that. Desire creates an excess. Places are exceeded, passed, lost behind it. It makes one go further, elsewhere. It lives nowhere.
Michel Certeau, The Mystic Fable


It’s 2013 as he boards Google Earth and levitates from Atlanta. He gains altitude, viewing the whole of the southern United States of America. As he heads west, moving slowly over the thin silver line of i20, he can see the varied marbled green patchworks of farms and small towns. Chartreuse, Mantis, Asparagus, Olive, Pine and more. He knows these names because he briefly looks up ‘Green’ on Google. So many of them, other than the national forests and preserves. Did it look like this decades ago when he made the trip from Mississippi to Georgia with his family? Surely not. Just getting from one place to the next then took travel over two lane blacktop, winding though small towns, maybe ten hours to make the trip.

He begins to make his virtual descent over Birmingham, following a back road that his family even now takes, over the Tenn-Tom waterway, a fabulously carved channel which barges ply with goods. Or do they still? None are in sight from above. Passing over the lock and dam, he descends even further but now beginning to be beset with a peculiar double vision. (It is this way no matter which way he goes, whether through Meridian and then onto state route 19 or in taking this back route.)  He begins to be overcome with the sickness of nostalgia and melancholia.  This happens no matter how many times he makes this trip and no matter in what sort of conveyance he makes it in, either actual car or the ethereal and anti-tenebrous sky balloon of Google Earth.  No matter.  A certain darkness still manages to assert itself, a certain uncanniness seems to seep from the very borders of Mississippi as he makes his way in, a feeling which maybe Joseph Conrad would be more disposed to elucidate. O.k., he knows it’s all in his head, right? To him, that doesn’t make it any LESS real, it makes it more real but in the same kind of confusion when you see pictures of ectoplasm : real or not? Or something in between. Yes, he thinks to himself. It’s this something in between, or the thing seen out of the corner of the eye, or those floater things apparently inside the eye. Real but not. Or not but real. Depends on which way you want to go.

He feels like the occupant of some UFO as he passes over Scuba and Decatur and Moscow (Yes!), now hovering over Deemer Road outside Philadelphia,  where the old clapboard unpainted farmhouse stood, now long devoured by ravenous Kudzu, pulling down any revenant into the depths of its green wake. Now his ectoplasmic craft slowly meanders up the road, alternating between street level view and overhead view. It was dust and gravel when he used to make that three mile trip on his bike. The sepia-toned flipbook starts up in earnest now, one virtual snapshot after the other beginning to tumble out, lathered up on each arrival. A Proustian disease for sure. He felt himself approaching the edge of a precipice of abyssal memory. Yet at the same time, he strives to find new ones but no, it’s always the same set. And how could that be otherwise? There are no, there can be no new ones, case closed. Or has he lost some and gained others? No way to know. That’s just the way memory is, a volatile superfluid, like ectoplasm oozing its way over everything.  Like the blob in that old Steve McQueen movie, moving at first slowly up the stick then in the blink of an eye it moves all the way to the hand and you are lost in another reality, one you can’t escape from. But wait a minute he thought: that’s the way everything is anyway, always the ooze coming slowly up the stick then it’s all over. Instead of from space though, a preferable option in many ways he thought, it’s from the past, a territory that is exactly equal to what is in front of us, even if it seems like we are gobbling up what is in front of us and disposing of it…or even drawing something nearer. (He wondered: did anybody still believe that Something was Coming? There seemed little dispute that many arcane and mysterious things were now past…but stuff coming toward us? Even that way of putting it many would argue with. The only thing coming was Progress, more good stuff, more Better-ness, the very Best-est of what we had now. But there was no mysteriousness, that opacity which was and is always tenebrous in the eyes of Progress.  What that implied were those ‘endless genealogies and fables’ which so concerned Saint Paul, and perhaps even the bad infinity of Hegel, a road to hell paved with good intentions. Or something like that. He was beginning to confuse himself. But the point here is that you gotta cut bait at some point, move on up the line where the fishing is better and the lake is calmer. It was like there was, or is, a weak messianic power coming out from the past but it was so weak that it would take a supercollider of a brain to determine how such redemption would work. Certainly the hailing power of the voice of the technofuture smothered over all other voices. It resulted almost entirely, he thought, from the glorious housing developments on the Shining Hill of modernity and the clear-cutting that was necessary: the faith of the future depended on the eradication of the past.

“Our time, the present, is in fact not only the most distant: it cannot in any way reach us.  Its backbone is broken and we find ourselves in the exact point of this fracture.[….] Contemporariness does not simply take place in chronological time: it is something that, working within chronological time, urges, presses, and transforms it.  And this urgency is the untimeliness, the anachronism that permits us to grasp our time in the form of the ‘too soon’ that is also a ‘too late’---of an ‘already’  that is also a ‘not yet.’  Moreover, it allows us to recognize in the obscurity of the present the light that, without ever being able to reach us, is perpetually voyaging toward us.”
Giorgio Agamben. What is The Contemporary? In Nudities., p 15

The name Mississippi, perhaps the most onomatopoeic of any state. It is known that it is of Indian provenance; but which tribe? It is said that it comes from the French Messip, the French rendition  of the Ansihinaabe , that is Objiwah or Algonquin, name for the river : Misi-zibi, meaning Great River. Another rendition can be traced through early French records to the name Malabouchi, from the Gulf Coast Indians. An early French writer attempted to explain the India name, Mechasipi as a contraction of the words, Meact Chassippi meaning ancient father of waters. My choice would be story of the Choctaw and their kinsmen the Chickasaw, ‘migrating from a far western county long, long ago.’ When the wise prophets of the two tribes first saw and contemplated the great body of water they exclaimed “Misha spokni!” Misha in Choctaw meaning ‘beyond’ and spokni conveyig the idea of something ancient. Yes, an ancient beyond, the pine barren flatness of much of Mississippi, especially along the delta like the Appalachian Mountains, older than the Himalayans, but lower.

The county of Philadelphia called Neshoba, gray wolf in Choctaw. And outside the township of Philly, the ancient mound called Nanih Waya (Inholitopa iski), meaning productive mound or mother mound. When they emerged from the mound, the first Choctaw were still damp from the Underworld. Aba iki, the Father Above, who had brought them forth, laid them out along the ramp of the mound to dry. The scene unfolded ages ago, according to one origin story, deep in a Mississippi wood. In other versions, the Choctaw and Chickasaw entered the world from a cave near the mound. Yet another variation tells of a prophet arriving from the west followed by an entire people.”  From limited archaeological evidence it is likely that the mound was part of the very large mound culture consisting of many sorts of mounds and mound related structures numbering in the thousands in the Mississippi valley and that the Indians were late comers and simply made use of the area. The Cheatham clan most immediate to him had its start though Dick Cheatham in a community nearby; it was often said by the elders of MY tribe that there was Indian blood in the clan and I have reason to think that true. I’m still waiting for my ‘indian money,[ro1] ’ as my grandfather put it, to come in. however the Indian money came in another way in the form of casinos bilking the white man the Chata preerence for an unbrokend langueage flow now transferred to dollar bills.

The last of the eight sibling Cheatham clan died recently, a life for the last one, Bobby, lived almost entirely in Mississippi but not the case with the other four brothers and three sisters, all but One sister and Bobby having lived just about there whole life in Ms, the others fleeing to Georgia and Florida, Louisiana, Tennessee I think Bobby lived in California for a year or so he always wanted to go visit his cousin there mainly to go to Disney Land which had just opened when they were there, due to his Sunday night viewings of the seven pm appearance of Disney’s Wonderful World of Color but now Florida has one and things are different anyway and that ALSO is where my uncle Willard, who looked just like a real Indian moved to Fl and who, when he had returned with his family from Ga would always go on every holiday up to the “house on the hill’ where momma and daddy cheatham lived during and was greeted one time by Willard with “Well, if it ain’t the Yankee and his hermaphodite son” I guess because we were wearing Bermuda shorts and his hair was touching his collar but now that he thinks on it his uncle Jack never really left Mississippi either but since he was the most educated and smoked cigars (which he could always smell from a distance) and seemed more sophisticated because he seemed to be always eating out in Jackson) and did something at the University of Mississippi and was superintendant of schools for awhile, being known for shooting a hole in his front driver side door and then claiming his opponent did it but was found out somehow and discredited, causing the diaspora of the teaching Cheathams, Willard, Norman, Bennie, Jack to other states but come to think of it Jack stayed and moved to the delta, a little town called Rosedale, almost not there I’m remembering now and from Google looking down on Rosedale it seems perilously close to the great twisting serpent Itself, flooding looking like it is all too probable, swirled, all the surrounding lands swirled wildly like the bleeding Madras patterns on those shirts and fabrics popular at one time, there in one of those swirls in 1964 was where his cousin Ricky was killed while camping out and frog gigging with a companion, shot while his companion was mutilated (I never knew what that meant exactly: where? How? No details were ever forthcoming but lurid and impossible comments made the rounds about the family, which even to this day he can’t articulate and even the FBI came down to investigate but never at least known to me, ever left any word as to what happened) although he will never forget or forgive the time that, much later, on a visit back to the home place where Jack had moved after retiring from whatever he was doing in Rosedale, caused his father to sputter incoherently in his rage while Jack, who always smoked cigars and always reminded him of Edgar G. Robinson, continued to goad him, like he did generally at Daddy Cheatham’s but this time he was older and all he could do was sit in amazed and embarrassed stupefaction and silence, he still feels the pain of that moment and in fact the stories of the whole lot of them continue to swirl around his head with least provocation, a eight headed hydra or Medusa maybe pulling him backward, the stony face of the dead dragging back to the set-scenes, a primal grittiness of reality holding forth over all of it, yes maybe Ricky was gay he remembered a time when all the boy and girl cousins were herded by Ricky outside to the side of the house where theri pants were pulled down and amidst cheerful threats that their penises ( or what was it then surely not cocks, maybe dicks since I remember we made fun of cousin Richard for having the nick name Dick so yes it must have been dicks that were threatened  but did this happen or did he imagine it no way of knowing but it seems real enough and oddly enough he remembers Cocker Spaniel owned by Jack that was frozen outside and around the corner from the dick threats but surely that is some kind of fabrication but he swears he remembers it like a giant dog sickle  while the little white Cheatham house, built in 1946 by all the brothers, the ‘dick wall’ was less than forty feet from the Methodist church where Daddy Cheatham was a deacon for many years and where from his house down below the hill old man Brennan’s voice could be heard bellowing out Rock of Ages on a Sunday morning, the same church where Daddy Cheatham’s final service was held  but the year is still 1964 Schwerner, Chaney and Goodman were the first casualties of the civil rights movement, killed by the sheriff and buried in an earthen damn outside of town and his grandfather is still lying in wait to this day he can see now The pews of the small church  packed with relatives and friends. The preacher coming forward at a certain point and allows that Richard 'Dick' Cheatham had a special friend  Willie who would like to come view the body  Dick Cheatham worked in the sawmill a few miles from his house, some sort of foreman and Summer nights I can remember Willie, a black man, coming by and sitting in the back yard with my grandfather, talking till the fireflies came out on soft honeysuckle evenings but now all the fireflies have gone out permanently and Willie is visiting again. Was he not allowed to sit with the others  his confusion is rampant as he sits there in the stone silence, maybe a little organ music, Willie walking down the isle with his hat in hand This image haunts him to this day, not knowing what to do with it and what does one do with ghosts anyway And what are memories but ghosts, hauntings that can't be exorcized except by penalty of losing part of one's self The deep well of remembrance sears us simply by its diaphanous nature, it's inability to be easily pinned down, constrained by what we want, what we desire, what we think is best  The ectoplasmic stuff of remembrance never quite geting frayed into nothingness, it hangs on though its own externality, posing as pure internality ... but who is to say about that, about what is purely inside and what is purely outside?  Surely there is no purely, but an enfolded complexity, various types of Mobius strips, Klein bottles that ceaselessly shuttle back and forth, in and out, matter becoming conscious becoming memory becoming matter becoming earthworms becoming plants becoming energy becoming life, becoming face, maybe to the ends of the universe -- and back  Who is to say Ghosting knows no limits  It simply shifts and squirms in its liminal constraints to another form, another race, another gender, another life, another species, the traumatic gossamer crinkling of its edges perhaps simply threshold phenomena, portals signifying other entrances and exits These halos, thresholds the very epitome of Benjamin's description of aura as the inchoate perception of the greatest distance in that which is closest to us.

Skin: the thing that is closest to us, yet betrays the most distance, distances of galactic proportions (but even the word galactic sustains this duality of skin, meaning from the ancient Greek, milk, as if the stars were poured out into a thickening skin in the sky, white on black)  Skin as boundary marker and threshold delineating, separating, folding together; even a sacrament which opens the inside to the outside in Eros as well as in wounding even a sacrificial threshold the only one a person ever has really, a singular offering, continually deferred even while daring all others to avoid the breach of the skin.

And what is more ghost-like than skin Never announcing itself (except when it becomes visible at the borders of the socius, of races -- still, visible but invisible), yet subtly holding together, holding out for,  but surreptitiously so, an invisible boundary between self and others ---and when it comes visible trouble starts, just as ghostly manifestations announce their own traumas, delays, deferrals, returns of the repressed, the mobiating of black to white and white to black and the sacrificial halts in between, the black and white stills from back then, alternating with technicolor, then technical color, then nothing.

Ezekiel 37:7-9 (New International Version)
New International Version (NIV)

 7 So I prophesied as I was commanded. And as I was prophesying, there was a noise, a rattling sound, and the bones came together, bone to bone.

8 I looked, and tendons and flesh appeared on them and skin covered them, but there was no breath in them.

 9 Then he said to me, "Prophesy to the breath; prophesy, son of man, and say to it, 'This is what the Sovereign LORD says: Come from the four winds, O breath, and breathe into these slain, that they may live.' "


The Koran
Ha Mim

1.             [41.20] Until when they come to it, their ears and their eyes and their skins shall bear witness against them as to what they did.

2.             [41.21] And they shall say to their skins: Why have you borne witness  against us? They shall say: Allah Who makes everything speak has made us speak, and He created you at first, and to Him you shall be brought back.



3.             [41.22] And you did not veil yourselves lest your ears and your eyes and your skins should bear witness against you, but you thought that Allah did not know most of what you did.





 [ro1]in.gh Dick Cheatham in a community nearby; it was often said by the elders of MY tribe that th

Friday, September 18, 2015

Portal pt 2

Portal pt 2

 
He felt somehow...denser inside than when he was a kid, like there was too much stuff packed in. Not necessarily good stuff or bad stuff or even particularly interesting stuff...just events and then the decay of those events in some sort of an inexorable progression of which he surely knew the end. Fuck. He never used to think like this. He KNEW he shouldn't have come back...this was worse than those pictures flipping through his head at night. Wasn `t this what he had spent whole decades of his life trying to avoid? This kind of mournful, melancholic crap...

He picked up speed as he reached the top of the hill, hugging the laptop tightly to his chest, the dark closing in, time thickening, turning into some howling void, filled with crickets, deafening cicadas, like the 3 K background radiation of the universe, now a godforsaked screeching; even the stars seemed to have lost that timeless feeling for which he had always valued them, turning into ash heaps of radiation, harbingers of BAD infinity...

He always liked that three mile walk back, even with the occasional pick-up truck whizzing by, a finger or two lifted off the steering wheel in an almost familial greeting. It was almost completely dark when he finally walked up the driveway. Lights out. Nobody home. He guessed she had forgotten about the dinner engagement. The lights came on automatically as he entered, sitting the laptop on the table on the way to the kitchen to get a beer. Popping it open as he sat down, he opened the computer, saw he had a response from his recent uplink but moved to another file and began to type:

Mardak sat at her desk, staring glumly through the large open window. In the soft summer twilight the quiet snuffling of a horse drifted thru the firefly encrusted night--a myriad of stars in between herself and the barn, the universe closing in--past the satellite link dish and echoed faintly off the large screen behind Mardak, in the near dark, its surface pulsating w/purple, occasional flecks of interference-white appearing randomly. In the distance she could hear the booming of the first of the night s Change Storms coming thru. She leaned back to his desk and picked up the statuette of Thoth, ancient Egyptian deity of harmony/order. Figurines, statuettes, funerary figures, scrolls, and seemingly more mundane objects of all kinds covered part of his desk and most of one wall, setting an eerie contrast to the aluminum/plastic/electronics which configured the rest of the space. The location of the station in such an isolated farm region (well, there weren t any more farms...the Change had seen to that) made it an even more archaic-seeming decision on her part. And enclosing the impervious, at least for all practical purposes, monitoring station in the facade of her great grandparents long demolished farm house made her even more suspect in the, well, she guessed you could call them `eyes', of her superiors. Such sentimental attachment to long dead essences most definitely did not fit in with the Change. She carefully picked up a bottle of glowing blue liquid from the stack of similar octagononal bottles at the side of the desk. As her uniform sleeve slid back from her wrist a patchwork of thin lines glowing with a similar intensity, so intense where they crossed, it almost seemed purple, revealed themselves, terminating in a complicated, dense pattern in the palm of her hand.

The Anumalesh, that s the closest name that's been attempted for them/it, had been making their/its presence known on the surface of planet earth for about 2 years now ever since they broke out of the cometary shell surrounding the solar system, at sub-luminal speeds. The 5-mile-long object threw a much larger `shadow' on detection screens on earth at the time, evidently due to some sort of force field effect. And of course the Change Storms which began shortly after the object's detection, have been attributed to the Anumalesh. These were apparently temporo-spatial distortions which created roving `hot spots', often accompanied by great atmospheric disturbances but sometimes not, which seemed to activate objects in unpredicatable ways and occasionally `fuse' them to the consciousness, thru the unconscious, of whoever happened to be in the hot spot. Sometimes this elicited memories of the most personal kind; at other times the thoughts/memories/imagies seemed to be of a cosmic, almost mythological nature. In fact at times the images / hallucinations / apparitions seemed to be drawn directly from some sort of species collective unconscious...and sometimes that species did not seem to be that of the predominant species of planet earth. It seemed as if the planet itself wanted to reclaim some aspect of the human species back into itself, resorb humanity back into its womb. Some people theorized that it was some form of interrogation that the Anumalesh had put into effect, a way to gain a complete "demographic" of the whole planet, although demographic seemed to be too light weight to account for the effects that were going on. More like a full PET scan while on various psychotropic confessional drugs. Whatever was going on, in five years it had changed completely the direction and nature of life on planet earth--and the changes still seemed to be going on. It was more than most of the population of the western, industrialized countries could take evidently; the suicide rate had skyrocketed. The Changes seemed to effect a certain percentage of the population in evidently horrible ways. Few of those so effected elected to stay around to explain to the more fortunate. It seemed as if a new evolutionary force had been put into effect with a vengeance and time scale that mocked the very idea of evolution--more like a pogrom. If it weren't for the huge increase in births.

She unlocked her hands from behind her head, removed her feet from the desk, turned to the flat screen to her right, turned the computer on and began to type:

He got up from the computer, stretched, and walked over to the old couch covered with a large faded country blanket. He laid down, crossed his legs and laid his arm over his eyes. Immediately he felt exhausted. It seemed like he hadn't had any sleep in days. And there it was again ...like some monstrous cyclonic force, lines of agitation, brute force, destruction, crackling lines of lightning forking through turbulence, constrained by some force not endemic to its own construction but finally, and awesomely: nothing but a thin shell swirling around an empty center. And it moves of course, the center moves, thereby it seems, um, `alive' or at least some sort of rudimentary will seems to be present; but a strange volition, one based on the crackling energies of the surrounding rotational winds. Yes, that's how it felt sometimes when he got up in the morning, like somehow there had been an emptying during the night, an evisceration of himself through the aegis of surrounding high tension currents/differentia somehow sucking everything out and zapping them, some sort of metaphysical soulbug killer (was he really being emptied or was it just a realization of how empty he was, that there was not, never had been anything at the core--and worse, that the same was true for everyone, that there were nothing but these thin violent crusts interacting? Had Something left--or was it just hiding?) Even the dreams had mostly deserted him, the one signpost he had that he might still be alive at night and not really fully occupied by some monstrous anabatic Other that seemed to be continually pulling him apart into strings of Brownian motion, then taking the particles, shards into the updraft of that thin shell of interactive systems that increasingly seemed to be a "him". He remembered reading about the Great Red Spot on Jupiter and that it might be the result of something called a Taylor Column, a fairly stable pattern that showed all the way through the turbulent layers of atmosphere, and was itself the result of extremely high winds that were somehow `caught' around some surface feature. But maybe, maybe, that was some kind of hope! If we were all Taylor Columns didn't that mean there was some sort of `surface feature' helping to generate it? But such speculation was useless--one could never make it through the turbulent layers to ever find that feature. And to make it worse, the winds seemed to be picking up, the electrical activity increased to a a web of scintillating lines criss-crossing, penetrating the shell, yes, taking on a life of its own almost (But wait a minute! After all it was HIS life wasn't it?--but it seemed to be collapsing into a not-his-life somehow, into the life of that fluttering, crackling crust. Which meant maybe a was-never-his-life. He didn't know whether he was terrified or ecstatic. And maybe there was a very fine line between those two anyway. Like Dorothy being swept from the flat plains of Kansas, surrounded by bits and pieces of her life, swirling by, fire fed by wind, a blowtorch melting experience, words, lives into a fine ash, a crematorium of souls whipped into dark clouds moving at fever pitch toward an ever receding horizon/Emerald City maybe searching for that surface feature to hook onto but everything had become a desert, a flat bleakness scoured into a geometrical precision by millenia of passing vortexes gathering speed as the terrain becomes increasing leveled, speedier, fed by roving skeins of electrical currents. He felt a great mystical fervor overcoming him, the emptying, hollowing only one part (necessary perhaps; inevitable certainly, in the long run--which was actually very short--of mortality, `consciousness') of a great Battery of energies and their flows, circulation patterns becoming visible, absences and presences all forming the same sort of vortextual collapse structure, the old in/out, out/in matey, ego becoming a vacated site and the vacancy of more importance (though `not of the moment' as was the ego--the interactivity skills of the vacancy seeming to belong to another dimensional structure) than its recent occupant. And besides it didn't seem to be completely, truly vacant. The desert of the center seemed to teem with ghostly bedouins, remnants, revenants of previous collapses, though now gaining their/its own form of diaphanous `solidity', possessing a peculiar `granularity,' particulateness through aridity, like all deserts. And like all deserts it no doubt teemed with life, but life of a different order, rhythm, and tension.

Moonlight filtered through scudding clouds momentarily illuminating the woodgrain floor, shiny plastic coating reflecting back halfopened curtain window pane dividers as he crossed to the laptop, flipped it open while standing, pulled a chair over while he simultaneously logged on.

He turned to the window just in time to see the moon disappear completely in an interminable cloud bank, pitching the room into a darkness relieved only by the glow of the screen. The pip-piping sound of the automatic coffee maker echoed from the kitchen, along with a slight uneven hiss. The torso of a lone walker passed on the road in front of the house, baseball cap on, turned backwards; halfway across the window the walker began to trot. He turned to the keyboard

Portal pt 1

It's taken a while for him to realize that his interest in the unfamilar, defamiliarization, the inhuman, ostranenie, and the unheimlich (literally 'unhomed') or uncanny was tied in with Mississippi in some way. That interest unfolded  through aesthetics, para-academic, and independent scholarship (perhaps sideways and atheologically through his grandparents' interest interest in the hermeneutics of the Bible). Perhaps that is what all this archaeological excavation is about, some how, the demotic version of some of the para- forms above.

Here is part of something of the latter from perforations 6.

 
PORTAL
part 1

He got up from the little grassy hillock, closed the laptop, pushed the antenna back in, and gazed down the incline. The remains of a road were still visible, dual tracks in the white, sandy soil leading thru young bushy plants here and there, a few tall lanky wildflowers stretching up trying to catch a little sun between the large pines at the edge of the once-road. A few pine seedlings were growing where the ditches would normally be. A few thumb sized ones were growing in the middle of road. As he set off down the slight incline a whip-o-whil cooed mournfully in the distance; they always made him think of those old Hank Williams songs that always seemed to be twanging in his grandpa’s farmhouse, the little radio up in a perch in a corner by the kitchen. A bob white did its bobwhite sound to his right. What was the real name of the damn bird he wondered? Although he had left the tarmac road only about a half mile back, even the  car noise had disappeared.

As he got further down in the hollow, clouds of huge dragon flies took off and flitted around confusedly, snapping this way and that for the mesquitos hovering over the small sluggish stream, which he could barely see thru the willowly ferns and tall feathery things. It all had a primeval southern gothic look to it, a setting for some cheap Peter Fonda movie about moonshiners and fast cars. He forded the stream on a few broken planks laying in the water and the corrugated metal of a collapsed culvert. He moved a few feet up the road to an outcropping of rock which had been exposed in the middle of the road. Do some hell on the undercarriage of a car now, he thought. As he reached it, the partial spoke internally, <<You realize that it will be dark in approximately 2.7 hours >> Never should have had the damn thing put in. He ignored it, sat down on the rock in the dappled shade and snapped open the notebook.

"My father certainly had that sort of worrying obsessiveness. But yes, worry, worry, worry, that's what I do best sometimes I think...sometimes it doesn t even seem to have any content, just vague, persistent forboding. (in high school my friends used to kid me because my father would say -- repeatedly of course -- `if you don t get an education, you are doomed, doomed!' As it turned out I was doomed anyway. And you know, my father was a teacher--an `educator' he liked to say--but I never once saw him read a book. In fact, I don't think he ever read an entire book in his life. At least I never saw him with one...of course I don’t count textbooks...) Well, maybe partly it s sort of a southern `wise blood' disease passed mysteriously thru the generations A sort of Old Testament emotional plague and apocalyptic ferment coming from having to sit in too many tents, with sawdust scattered on the ground, and a couple of naked 60 watt bulbs hanging over a few scattered pews while some farmer/preacher harangues a few other farmers and their scrawny wives and their tow-headed kids, some of them still in their bib overalls, the preacher ranting and raving,  a strange kind of energy emanating from the poor guy, despite his painful articulations. But my god how I despised that!! And hated it more and more the older I got. But you know it was part and parcel of life in the town generally...so I had no choice but to hate everything. But a lot of that came later. When I was a kid it was actually pretty idyllic, riding my bike out to the grandfolks farm, picking blackberries down by the stream. I remember the cows used to keep the side of the hill by the stream, down from the farmhouse, so clean, like lawnmowers had gotten to it..."

He looked up from the glowing screen -- hmm, sun HAS gone down quite a bit -- and glanced out at where the pasture used to be. nothing but piles of discarded pulpwood, scrub bushes, a lone pine tree here and there under the lengthening shadows

"...and collecting arrowheads from the hillside next to the farm (Chocta indians used to live at the end of the old dirt road. My grandfather used to catch possums, put them in a 55 gallon barrrel, feed cornmeal to them to `clean'em out'--scavengers you know--and sell them to the indians) while my grandmother made yellow cornbread on the old wood stove when I would arrive on my bicycle. Did all that shit really happen? No way to prove it...unless I go there--and what kind of proof is that, now? None. I could be sitting at home or be at the `farm' typing this and it wouldn' t really matter, would it? It just seems entirely too...too quaint maybe. I always used to fantasize about having an observatory on the side of mountain around the farm. Think that was some kind of escapist fantasy? Yeah, maybe...that' s also the time I started reading loads of science fiction novels. Hey, sometimes escape is ok, you know? I may have quoted this to you before but I like the quote that goes something like: `those most intent on preventing escape are the jailers..' and that just about says it right there. But there was always too much haze and humidity to look at the stars very much. Now New Mexico (or Arizona, or Nevada)...wow, stars like grains of sand, scanzillions scintillating away, seemingly a few feet from yr face..."

He glanced up to swat a mosquito, simultaneously hearing his partial <<Robert, You have 47 minutes, 18 seconds before sundown. I would advise returning now. You have dinner scheduled with your mother tonight and....>>

<<Yes, thank you Richard>> If he didn t respond the thing kept blabbing away...besides it was right. He abruptly got up, frightening something in the brush to his left, and headed further up the hill and toward the bend. He was determined to at least LOOK at the old farm, even if he couldn't linger.

His boots slushed thru the foot tall new-green soft grass as he trudged around the bend, bending limbs from now-overhanging trees out of the way. Grandpa Taylor would certainly have been mortified if he could see the condition the condition of the road he worked on so hard by horse and by hand. A newer gate was set up five years ago to keep out hunters but of course it hadn’t done any good. Old beer bottles and cans were scattered around and even on the other side. Stepping around the gate, like apparently everyone else, he hurried through the rapidly growing gloom. Crickets, frogs, and few other unidentifiable scrapings were getting louder as he approached the old farm house....which was more or less completely covered in kudzu he could now see. A bit of chimney sticking out (he remembered the smell of hickory logs on late winter afternoons--the only heat for the whole house, other than the wood stove in the tiny primitive kitchen; couple of cats used to sleep under that stove. He remembered sitting on a tiny stool gazing thru the tiny mica window at the glow.) Can any of this be real? He looked up at a few early stars beginning to flicker thru the clouds. Sunlight still played on them, giving them a reddish tinge; a tiny sliver of moon was out simultaneously. For some reason he began remembering ghost stories from his childhood and he shook off a slight chill.

Privet hedge had grown up 10 feet high all around the front porch, mingling with the kudzu...where the hell had the kudzu come from? Never had been any on the farm that he could remember.... The whole scene began shifting, from external to internal and back again, getting into the pink 57 chevy, the old horse and buggy (fancy two-seated, black with red-stripping), the chickens roaming around the yard, like some fuckin' computer simulation--or Twilight Zone episode. The place where he slipped off the horse because daddy didn’t cinch it tight enough; the attack of the giant rooster; all the barns, sheds...gone. He had thought about going inside but he couldn t bear it. The abrupt collapse of time was too much. All of a sudden the universe was entirely too malevolent, time an actual palpable THING sitting, hanging in the very air, in the gathering damp, in the goddamn stars that were now coming out entirely too rapidly, some ghoul intent on gathering HIM up in its damp tentacles, folks beginning to clamour for attention in his head, DEAD folks at that, just too much. He began backing up rapidly, stumbling over a fallen limb in what used to be the old sandy drive way (it had originally been U-shaped, with two gates; he had first learned to ride a bike in that sand). He turned and ran, around the gate, thru the grass, kcking up fireflies, round the bend, half sloshing, half jumping over the stream. Something big jumped into the water. Part way up the hill, he turned, shifted the notebook to the other hand, and breathing deeply, looked back over the decimated farmland, a blasted hell of redneck loggers, fires they had set, gotten out of hand...Ghosts--maybe they had killed all the ghosts--or at least driven them away. A dog barked in the distance as he turned and trotted up the hill, not quite so spooked now but still not very much at ease.

Thursday, September 17, 2015

memory--and its other

"If you were walking across a plain, had an honest intention of walking on, and yet kept regressing, then it would be a desperate matter; but since you are scrambling up a cliff, about as steep as you yourself are if seen from below, the regression can only be caused by the nature of the ground, and you must not despair."
Franz Kafka

He was continually fretting over memory, being assaulted by memory, waylaid, seduced, suffocated by it, by the endless parade of sepia toned images, as if from out of a shoebox of polaroids, all the cards, images, film snippets being misplaced, stuck in the box willy-nilly as it were, a vast but finite, definitely finite, set but wherein some secret, some punctum as Barthes once had it, something which secretly stood out (if such a think be possible; well, maybe like the purloined letter, a secret out in the open) but all the pieces don't fit...and ESPECIALLY perplexing when he tries to cross-chek his memory with some one's who was present at the same event..."nope, don't remember that" "nope not sure that happened" "nope I wasn't there" it's like memories other was not forgetting but, contingently speaking, another memory...or maybe time itself, curling back over the breakers of life, splashing and distorting all the figures, including Foucault's famous human face, etched into the sand and then washed away leaving a blank slate for the next guest, but the thing with memory (and time) being that it is never totally washed away, even if the memories have been mis-labled, the bulldog that bit me on teh butt, the rock upside my head thrown by DH, grandpa's carriage coming down the old road in front of the house, bucking and tossing him out, me and my little posse getting waylaid on old Deemer Rd, much to the delight of Pegleg Johnson who threatens us waving a stick after, a while we make it out to grandma's old farmhouse and had big slabs of yellow cornbread with butter and on and on battered stormed with images much like the 'Mandela Effect' online where memories are getting called into question because because of slippage from/of/into alternate universes of memory and life. ok almost anything seems conceivable these days.

Tuesday, September 8, 2015

Speak spirit! pt 2 of 2


continued:

 
SAMPLE 1:
riot-
The particle 'ri-' seems to range over the territory OF particularity, the bit, the
morsel, a piece, even the riff of riff raff ('one and all', keeping in mind that riff raff
constitutes the debris of society, those who cannot be constituted as a proper group,
those who can only participate in an aimless Brownian motion). It would even seem
to be expressive of rift as a gap. Opening, or breach (as the singularity often does for
the collective).

The suffix '-ot ' expresses nativity (patriot, idiot), or a natural 'belonging to'.
'Riot' might naturally be taken to mean a condition of excessiveness brought on by
an aggregate of those who natively ('naturally') belong to the one, (that is, their own
unmediated desires), to their own anarchic potential to transgress, to be unincorporable
in the collective, those in the gap. Those in a riot (and like chaos, all
riots, no matter when or where, would always be the same faceless aggregates of the
always-potential uncontrollability of singularities) would exhibit the excessiveness
of bare life, the possible profanation of its border-breaching nature, its lawlessness.
A riot is the breaking open of the social skin, the surface holds the directed activities
of the body politic into a vectored whole; it is the rising up of the ribbed (always
there but in a state of detumescence), the rhizome, the spreading of the bit, the
morsel: like but separate from the whole.
--

SAMPLE 2:
In September 1961, Betty and Barney Hill, A New Hampshire couple under heavy
pressure for their interracial marriage, decided to visit Montreal Canada for a short
holiday. On their return, they found themselves suffering from unexplained physical
pain, anxiety, and nightmares. They were particularly disturbed because they could
not account for two hours of their return drive, so they consulted a psychiatrist,
Benjamin Simon. After undergoing repeated sessions of hypnosis with Simon, they
recalled a truly incredible experience: they claimed that while driving south on US
Highway through the White Mountains of New Hampshire, just south of Indian
Point, they were taken from their car by a group of small, gray, large-eyed aliens, led
into a UFO, and subjected to a series of physical examinations and medical
procedures, including the taking of skin, nail, and hair samples. The aliens gave
Betty what they called a pregnancy test by inserting a long needle into her abdomen,
and they took a sperm sample from Barney by attaching a circular device to his
groin. The Hills also reported that the aliens, who communicated telepathically with
them, seemed fascinated by the differences between the couple, especially by
Barney's dark skin. After being told by the aliens to forget what happened to them,
the Hills were allowed out of the UFO and watched it depart.

Thus began the modern fascination with alien abduction … and another fascination
with an ecstatic taking-into-larger-being, the breaking of grapes, flowing and
fermenting into another vessel, flotating there…just ahead, barely visible, invisible
really, but bright oh so bright.

What If There Is No Race.
O fortress of skin, redoubt of holdings, flows, releases!

Bleached, dyed, cicatriced, bound…ghosted by an outline not it's own, radiant
bodies by absorptive ones, absorptive by radiant: both conduits to the boundless sea
inside, staunched (but yet made possible) by the material seeing of outside: marked
by thin epidermal barriers, firm but porous, the uncanny stroke between planes of
immanence yet forming infinities of violent and erotic connection and the inexorable
linkages between the two, flowing out ---> in and in ---> out, smashing, penetrating
while linking..

O! There the tips of two scars meet (pyramids tip to tip, gliding over), mingle,
perturb orbits, spinning untold stories untold stories into the tongue, some
expressible only through ecstasies of gestures and sounds, at a pace unmatchable by
language, wrenching free in noise, pain, anguish, births, still-borns, and glossolalias,
O all you bound by skin! The release comes all too soon or all too late, through
violence or eros and eventually emptying by death.

(Is there an 'outside-skin,' in opposition to Derrida's infamous impossible 'Horstexte'?
Is there a skin of no color, of no blemish, of no scar, perfectly whole and non-perforated,
a perfect boundary, a skin outside all skins and encompassing all skins?
If so it is undoubted, and praroxically, the marked skein of language, with its own black and white which simultaneously negates its markings and color schemes, while its phonic
on/off supports / barricades / limits / epithets.)

There, at the border, at the center of rememberings, also forgettings and oblivions:
opaque knots and scars which fly in the face of possibilities, impossible contortions of skin
and musculature protruding into the world, violent explosions of oblivion seeking
release into song, chance, story, noise, freedom from impossibility, long dormant
hang-times of hundreds, then thousands of years in which we, hubris of skin that we
are, walk like ghosts amidst the debris of time's sedimentation in the stroke of skin
(monstrous and uncanny Klein bottle that we are, Mobius strip of
impossibility/possibility, inexcusable thinness of power and powerlessness, the skin
itself forming a stigmata of both lightness and heaviness of being.)

"One would be obliged to conclude that at times, remembrance can be as
destructive as oblivion can be productive: in this case, the end of memory
would lie in muteness, and forgetting would lead to speech. There is no
doubt that achievement, in these terms, grows difficult to measure. It could
be rash to propose any summary judgement of the relative accomplishments
of those speaking beings who can and who cannot speak. Who does more,
and who does less -- the one who can remember but cannot talk, or the one
who forgets and can thus speak? Among lesser animals, the possibilities are
many; privation wears more than a single mask."
Daniel Heller-Roazen, Echolalias: On the Forgetting of Language
__________________
"I am an invisible man. No, I am not a spook like those who haunted Edgar
Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man
of substance, of flesh and bone, fiber and liquids – and I might even be said
to possess a mind. I am invisble, understand, simply because people refuse
to see me. Like the bodiless heads you see sometimes in circus sideshows, it
is as though I have been surrounded by mirrors of hard, distorted glass.
When they approach me they see only my surroundings, themselves, or
figments of their imagination – indeed, everything and anything except me.

Nor is my invisibility exactly a matter of a biochemical accident to my
epidermis. That invisibility to which I refer occurs because of a peculiar
disposition of the eyes of those with whom I come in contact. A matter of the
construction of their inner eyes, those eyes with which they look through
their physical eyes upon reality. I am not complaining, nor am I protesting
either. It is sometimes advantageous to be unseen, although it is most often
rather wearing on the nerves. Then too, you’re constantly being bumped
against by those of poor vision. Or again, you often doubt if you really exist.
You wonder whether you aren’t simply a phantom in other people’s minds."
Ralph Ellison, Invisible Man

Invisibility is a form of both oblivion and a pure witnessing, a seeing without
being seen (Derrida’s slitted helmet in Specter’s of Marx). To be invisible is a
form of powerlessness but a peculiarly efficacious powerlessness. It is the
impotence of both angels and demons, the registering of sensations inhabited by
futility. The coming race would be likewise marked by a general futility, marked by
a general exhaustion of markings: first a surge of markings, a saturation of identities,
then after the identitarian florescence would come the community which Giorgio
Agamben speaks of, the community which is forever coming, the community of
whatever singularities. There would be no race card to play because everyone
would be a singularity, their own race perhaps, the one thing that the State hates and
probably Race also as the embodiment of state/State conflict/power source:
"Whatever singularity, which wants to appropriate belonging itself, its own
being-in-language, and thus rejects all identity and every condition of
belonging, is the principal enemy of the State. Wherever these singularities
peacefully demonstrate their being in common there will be a Tiananmen,
and, sooner or later, the tanks will appear." (G. Agamben, Means Without
End)

The solidarity of those who have noting in common, of those who have become
powerful (visible) because of their invisibility (powerlessness), that is, they have
become the human race, the race against time's depredations of love, that impossible,
invisible solvent, that ultimate event (always on the tip of the tongue) which both
defines and undoes the concept of 'race', that explosive event which is always on the
way to us, the expectancy of skin laced into the hubris of language: the bind of
THIS-ness, of the now, the zeitgeist, Bejamin's Jetztzeit, the time of now shot
through with that-which-has-not-yet-come. The unspoken face of everyone,
everything, forever striving to open the mouth (and to create a mouth), to scream if
nothing else