O. "My brother! You are like the rudimentary state of the slime mold, condemned to be a distributed allotment of self along a curve, except all the bits and pieces just flop around, never congealing around the signa, the one pointing over to the other. You use the word' experimental' to justify this useless expendiure OF nothingness ON nothingness"
I've never claimed I had anything to say fat head. Yes you are making me angry now. Why don't you go someplace else and play.
O "You know I cannot do that brother. we are both integral to the task..."
Oh yeah? What task is that I don't see any flippin' task.
O "Everyone has a task. Sometimes it is accomplished by not knowing it, other times the other way around, the only other sense that can be made is in the particular. And it depends on which end of the stick you hold and the firmness or slackness of the grip with which you wield it."
You're making even less sense than usual O.
O "The sense is not mine to make; it is yours."
Ever since the escape he had developed this sense of law, place, self, home and homelessness with O. before and it always spiraled around itself, never coming to any resolution. The anomia was just as painful as the para-nomia, the rule and the ruleless both forming sickly bittersweet toxins in the conversation. He knew, in a black sort of way, what was coming next.
O: "A
slip is
taking place. It is in the works. It is at work-enacting,
active-beneath
our eyes and in our words. Some thing or some idea is
withdrawing
itself from us. An unhinging is taking place. As always, we are
necessarily
both its authors and its witnesses. We write it and read it in one
and
the same gesture. It is too soon to know or to sense whether it is a rupture
or
an evolution, whether the mode is that of a displacement or a break,
whether
the movement is reversible or absolutely oriented." Jean-Luc Nancy
You said we weren't going to do that. No body cares about that, or that formulated in that way. Why make things more difficult. People (or the robots who flit about the web continually) could care less. In fact you make them angry all law-full feeling. We must STOP the breakage from occurring, fill in the ruptures or blotter (sic) yet not even speak of them. Alright then, there is this if you want to fight dirty:
O "YES! that is it perfectly! Without knowing perfectly what it indicates; that non-knowing is the shadow of the advancing gesture, Vampires of the Law! And the shadow disappears at illumination's greatest intensity, when the light is overhead. But it has not gone for good. The law is waiting for the next gesture, a vampiric waiting for the next gesture to draw close, they are the sides of the same abyssal yearning--maybe even extending to Nietzsche's Appollonian/Dionysian divided continuum. An ancient darkness indeed, moving from chthonic geo-logic to the furthest futurist astro-logic.""If punishment could be provoked merely by the arbitrary actions of those who violate the law, then the law would be in their control: they would be able to touch it and make it appear at will; they would be masters of its shadow and light. That is why transgression endeavors to overstep prohibition in an attempt to attract the law to itself — all it ends up doing is reinforcing the law in its weakness. The law is the shadow toward which every gesture necessarily advances; it is itself the shadow of the advancing gesture."Michel Foucault (1989)
Well you are off your rocker O. If the Law hears you speaking in tongues like this you may be put INTO an abyssal container, doomed to weave above your own black hole.
O sputtered: " But but but this is the nature of the small town, wires visible, is it not? Are there no messages EITHER lawfully OR unlawfully, sent? No mysteries of the shadow?
O.K. I'm angry now for some reason. What do you say to this Mr. Big Shot O.?!‘Only gradually from the fragment, through shrouded simulacra, especially those relating to us, a subject takes shape from the marasma, artfully garnered, amassed and dissolved . . .The melody or song under the text, leads the divination forward, weaving a pattern of invisible fleurons and ornamental endpieces; Words are displayed with their myriad facets, the most unusual and the most apt for the spirit, our centre of resonance; the spirit which perceives them outside the normal order of things, like an echo in a cavern, for as long as their mobility and unspoken effect lasts; words ever ready for a reciprocal kindling of lights in the distance or at a chance slanting angle, until they fade.MallarmĂ© (quoted in Saussure’s anagrams and the analysis ofliterary texts, Peter Wunderli in The Cambridge Campanion to Saussure)
O: “Only on Judgment Day will the meaning of history (a meaningthat cannot be mastered or possessed by "man or men") emerge fromthe political unconscious and come to light. Only on Judgment Daywill the past come into full possession of its meaning: a meaning inwhich even the expressionless of history (the silence of the victims, themuteness of the traumatized) will come into historical expression.Shoshana Feldman The Juridical Unconscious”
O: "Chaos generates the law, but only the law will allow us to gain access to chaos."
Roberto Calasso
Law= coercive vacuity
question to O: Does the Machine constitute the Coming Law, hollowness wrapped in force?
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