Dead Reading
But nevertheless, necrological concerns abound, popular forms of death-in-living, such as vampires, and zombies, as the chiasmatic form life-in-death. In fact we would not be too remiss to say that these two forms (that is, death-in-life and life-in-death) set up the polar co-ordinates between which most of thought and culture moves. (One might also say in concordance with this that the mostly-hidden CONVERGENCE and folding of those two forms into the apocalyptic, forms another massif under modernist western archepelagos: various fundamentalisms and/or the technologial singularity seem to escape from all sides of the valley of consciousness and genealogy. leaving us to wax nostalgically about when we were alive, or, in the case of our objects and gadgets, when we were not-alive.
I just finished Lucius Shepard's The Golden, a fabulous tale of intrigue within the vampire world ... and if you've read any Shepard you know that the writing itself is often fabulous and with a tinge of the hysterical which only a vampire novel can provoke in its depictions of the realms of the dead. But of course hysteria is somewhat appropriate, since the term itself denotes an ecstatic wandering of desire outside of itself, a dislocation. (And as regards a social dyspeptic, hysteria seems to be high on the list as a built-in feature of the digital universe and dislocated psyches in various mass convergences.)
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